BOOK REVIEWS

Book Review / All Hallows by Christopher Golden

ALL HALLOWS by Christopher Golden

Release Date: 01/24/2023

Published by St.Martin’s Press/ Macmillan

By Jenny Robinson

All Hallows brings Halloween out early this year and will be a must reread as we get closer to October. It is a story centered around Halloween night in a small Massachusetts neighborhood and written in a style where each chapter changes character point-of-view. It quickly dives into the inner workings and dynamics between all the neighbors while hinting at a bigger and more supernatural element that lurks in the shadows.

Set in 1984, it captures such a honest nostalgia for the time. In the early 80’s when blockbusters (Indiana Jones and the Temple of Doom, The Terminator, Ghostbusters, The Karate Kid, etc), were a social badge of honor, your pals were always just a bike ride and a street away. As a kid of the 80’s, I can confirm that this book captures what it felt like to be dressed and ready to scream “TRICK OR TREAT” at every door you could reach.

We are introduced to each of the residents chapter by chapter. The narrative is voiced by Tony (a struggling father who’s love for the holiday is locally famous), his wife Alison, 13 year old son Rick (with his best friend Billie) and his 17 year old daughter Chloe. We dive into Barb (a beguiled wife), her jack-ass of a husband Donnie, 17 year old daughter Julia and 11 year old son Charlie. We get the teenage point-of-view from the local goth Vanessa and a twisted perspective from the mind of Ruth (the very questionable next-door neighbor). Although there are more characters, these specific portrayals bring the street to life. There are a lot of people to follow, yet surprisingly the tale reads as if each are the lead to the story. It’s very easy to link the houses within the cul-de-sac and surrounding streets.

A good portion in the beginning of this book is just learning about all those back stories of each family and how they overlap. You learn a lot from the local gossip of who’s parents are set to get divorce, who may be cheating and with whom, and who has a crush on someone else. There were moments during the first quarter of the book that I felt as if a few of the characters may actually develop into real monsters. What I genuinely loved in the storytelling is that the voices of each felt honest to their age. The kids did not seem childish but real to the fears, hesitations and excitement within their view-point (which felt very familiar). The adults never seem to stand on firm ground, always second-guessing life’s decisions (which as an adult, I can relate to).

BUT… that was just the base of this horror map.

Enter…. THE CUNNING MAN.

Random new children start appearing in Tony’s haunted maze. They seek refugee with Barb and the neighborhood kids. All the new kids seem to be afraid of “The Cunning Man” yet the residents are so distracted by their own personal issues that a lot of the strangeness is passed over until it’s too late. Each supernatural event seems to get realistically lost in the drama flowing from house to house. Disguised in crowds of masked trick-or-treaters, the book picks up speed by keeping you guessing. Who is the “Cunning Man”? How do you get away? Where is he? While each character deals with personal conflicts, it’s easy to miss the odd creepiness building from house to house and especially within the forest.

I want to leave this review open ended (I know, I know. But wait…).

There is a formula a lot of scary tales take. I do not believe that this book is one of those. All Hallows twists your expectations, and punches you while you’re absorbed into the interesting lives of the nearby residents. I feel it makes the reader sad, angry, and creeped out in moments that are really unexpected. For me, the characters are immensely relatable. I don’t want to ruin that for anyone. Now… GO READ! Just beware of the time, and any new-comers in your party. This time, there really is something hiding in the shadows!

ABOUT THE AUTHOR

Christopher Golden is the New York Times bestselling and Bram Stoker award-winning author of Ararat, Snowblind, Dead Ringers, Of Saints and Shadows, among many other novels. With Mike Mignola, he is the co-creator of two cult favorite comic book series, Baltimore and Joe Golem: Occult Detective. Golden is also the editor of such anthologies as Seize the Night, The New Dead, and Dark Cities, and the co-host of the popular podcast "Three Guys with Beards." He lives in Massachusetts.

COUNTDOWN - Infinity Saga

INTERLUDE #2: Sarah Halley Finn: The MCU’s Secret Sauce

By Brandon T. McClure (@btmcclure @fakenerdpodcast)

The Defenders Saga could generate a list of 50 defining moments all on its own, but this series isn’t about that. However, it felt like a disservice to not mention them at all since they’re so beloved. So while you wait for entry 39, here’s an interlude about one of the most exciting television endeavors in Marvel’s history. To revisit previous posts, visit our site HERE

Enjoy the ride as we count down from 50 of the most defining moments and share your thoughts in the comments. 

Enjoy your holidays and look forward to continuing the countdown in 2023! 

• Sarah Halley Finn: The MCU’s Secret Sauce

INTERLUDE # 2

CASTING DIRECTOR

SHOWS: Loki, Black Panther, Iron Man, Avengers, Captian America (pretty much ALL MCU - check out IMDB here.

MCU fans are intimately familiar with many names associated with the making of the franchise they love so much. Many directors and producers have become almost as popular as the characters and actors. Most notably, fans associate the franchise with Kevin Feige, the producer of almost every Marvel film since the year 2000, and the architect of the Marvel Cinematic Universe. But one name might be unfamiliar to people and it’s a name that shouldn’t be. Behind the scenes, there has been one name casting every single iconic character in these films and her name is Sarah Halley Finn.

Sometimes credited as Sarah Finn, her name has been attached to all but one Marvel Studios-produced movie and show since Iron Man (The one exception being The Incredible Hulk). Finn studied theatre and history at Yale while she ran her college’s black box theater. When she graduated she worked at the Ensemble Studio Theatre with east-coast theater friend Risa Bramon Garcia. It was Garcia who encouraged Finn to go into casting and she was able to land a job at Paramount doing just that. She has mentioned that her time at the Ensemble Studio Theatre was a useful foundation since she had to serve in multiple roles. “Casting is all of those things,” she says. “It’s directing, it’s producing, it’s acting. And frankly, it’s being able…to constantly see the bigger picture and navigate it” she told Marie Claire writer Jessica M. Goldstein for a piece written in November of this year. 

Her first credited film on IMDb is a film called Paulie which is about a talking parrot who “recounts his travels looking for his original owner to a Russian janitor who helps him to the end of his journey.” Before jumping into the Marvel universe, she was casting many films like Lara Croft: Tomb Raider, The Fast and the Furious: Tokyo Drift, and Crash. The 2004 film Crash, which won the Academy Award for Best Picture ended up being a major milestone for her. She told Marie Claire “I think the success of that movie and seeing the audience reaction at the time was a turning point for me.” Crash has a bit of a bad reputation these days, but the film was a major cultural hit in 2004 and sports an all-star cast with the likes of Don Cheadle, Thandiwe Newton, and Brendan Fraser.

Even though her post-Crash success can’t be denied, it was the 2003 film S.W.A.T. that proved to be her pathway to the Marvel Cinematic Universe. The 2003 cop drama was produced by Louis D'Esposito, who would help build the MCU with Kevin Feige and continues to serve as producer and co-president at Marvel. She obviously impressed him and he decided to bring her in to cast Iron Man, which eventually led to the casting of Robert Downey Jr. as the title role. Downey’s casting was a controversial move for many reasons at the time and would set the tone for, not just the franchise, but her style as a casting director. She believed in him and proved all the naysayers wrong. When she was originally brought on, she was apparently unaware of Feige’s ambitious plan to build an interconnected universe of multiple franchises and heroes. It wasn’t until she was casting Captain America: The First Avengers that she heard about The Avengers. Finn now muses that if she “had any idea where this was all going, I would’ve run out the door.”

The only MCU film that Sarah Finn did not cast was 2008s The Incredible Hulk. That film's casting was done by Robin D. Cook and Laray Mayfield, which sadly creates another reason for MCU fans to write off that film. While most of the cast from that film has and will return to the MCU, the lead star notably did not return for The Avengers. Finn got the last laugh (so to speak) when Edward Norton decided not to return for The Avengers and was replaced, by Finn, with Mark Ruffolo. There is a narrative floating around the internet that suggests Ruffolo was the first choice for the role of Bruce Banner in The Incredible Hulk but there’s no way to know for sure if that’s true. Either way, thanks to Norton’s decision, every one of the original Avengers was cast by Sarah Halley Finn.

While she seems to be the exclusive casting director for Marvel Studios, she’s not exclusively with Marvel. She is able to work on other films and often works with Jon Favreau on films and shows like Chef and The Book of Boba Fett. Notably, she was the casting director on Everything, Everywhere, All At Once which many people believe deserves to be in the 2023 Oscar race for many of its leads and the film itself. While casting directing doesn’t get a specific award (presumably due to its history), an actor winning is certainly an award on its own. While the major Oscar inclusion battle seems to be on stunt work, the next battlefield should be casting directing.

Finn leads a casting team of 13 women, which is not unheard of in this job. Historically casting departments have been dominated by women, most likely due to the job belonging to secretaries of major movie directors in the days of old Hollywoodland. Most of the stories we take for granted now were battles she was determined to win. She, herself, recounts a story in which Chris Evans wasn’t being considered for the role of Captain America. But she likes to find an actor's unspoken strength so she knew that Evans could pull off the World War II superhero, even if the higher-ups weren’t convinced. Evans had played the Fantastic Four character Johnny Storm twice before the MCU so it took some convincing. To this day Evans is the only MCU actor who has played a pre-MCU Marvel superhero.

Like many jobs in Hollywood, being a casting director is often a thankless job. Most of the time when you see online praise for an actor in a role, it’s lobbied by the directors or the producers. How often does James Gunn get the credit for casting the Guardians or does Ryan Coogler get the credit for casting Chadwick Boseman? That’s not to say that these directors don’t have input. Casting, like everything in film, is a collaborative effort. Casting directors often have to find the right actor to match the director's vision. But Sarah Finn is uniquely positioned to see actors for one franchise and keep them in mind for another. For example, when Chadwick Boseman went out for the role of Drax the Destroyer for James Gunn’s Guardians of the Galaxy, she knew he wasn’t right for the role, but felt he’d be right for the lead in Black Panther. Casting a film is an art in its own right and should be recognized as such. 

“Sarah’s judge of character is why these castings are so spot-on, and why fans like me continue to praise the MCU for what it is” Iman Villani told Marie Claire. With a franchise as popular as the MCU, the reason why fans keep coming back is due to the characters. If the MCU wasn’t so well cast then the films wouldn’t have the staying power they have now. Especially with more and more legacy characters coming into the franchise, Finn’s job is more important now than it ever was. “She has such incredible instincts,” Jac Schaeffer (WandaVision showrunner) tells Marie Claire, and always pushes for “the freshest take on the character.” Schaeffer continues to say that “Sarah is really great at internalizing the writer’s intention and then finding a new flavor for that: something that’s unexpected for the audience and will feel special or unique.” Schaeffer’s words are a great example of why Finn is a key ingredient to making the franchise work. Even if a film doesn’t connect with audiences, they will still be eager to see the characters again.

Having been doing this job for over 14 years now, Finn notes that it’s gotten a bit easier than it was back then. In the beginning superhero films weren’t something actors were interested in doing, so Finn had to call all sorts of actors in the hope that they would even do a screen test. But nowadays, asking about doing an MCU film is a common question during press junkets. Every actor and director is asked about whether they would do a Marvel film, which helps Finn know who she can call. Social Media has also helped since actors will drop hints as to whether or not they’d be interested or fans will throw out fan castings in the hopes that someone like Finn will see them. It may or may not be comforting to know that Finn doesn’t take fan castings too seriously. She sees them and will sometimes go with them, such as in the most recent appearance of John Krasinski as Reed Richards in Doctor Strange in the Multiverse of Madness but mostly she followers her own instincts. More often than not, however, she wants an unknown quantity which has been an important part of the MCU’s casting process.

 When it comes to the MCU, it’s the characters that keep people coming back over and over again. People tune in to the Disney+ shows because they want to fall in love with a new character or revisit an old friend. At the end of the day, that’s what these characters have become to fans: old friends. When they die, we mourn, when they succeed, we cheer. While Kevin Feige may be the architect of the Marvel Cinematic Universe, Sarah Finn is the reason fans have fallen in love with these characters in such a profound and personal way. She is the secret sauce that makes the MCU work and an important part of the ever-growing franchise. With more spotlight being given to the many behind-the-scenes jobs, it’s vital that she gets the recognition she deserves.

Nic Gauge

NIC GAUGE / Lord of War

MOVIE: Lord of War

STARRING: Nicolas Cage, Jared Letto, Ethan Hawke, Bridget Hoynahan, Eamonn Walker, Jean-Pierre Nshanian, Ian Holm, Shake Tukhmanyan

RELEASE DATE: September 16th, 2005

WHERE TO WATCH: VOD (HBOMax, Amazon Prime, Apple TV, Vudu)

By Justin Pomerville (2 Broke Geeks)

Yuri Orlov (Nicolas Cage) in Lord of War.

I usually try and start each one of these articles with something funny or insightful about Nicolas Cage films and my history of them, whether it be a lifelong favorite or maddening oblivious to one that is considered a “classic”. This week is a little different because of the subject matter and with the current political climate and some current events, I’m not going to make jokes or anecdotes. The Gauge choice this week is 2005’s Lord of War.

The plot follows 20-year arms dealer, Yuri Orlov (played by Cage) serves as a window onto the end of the Cold War and the emergence of worldwide terrorism. He finds himself reassuring his more ethically challenged younger brother, Vitaly (played by Jared Leto), while adeptly sidestepping the pursuit of federal agent Jack Lawrence (played by Ethan Hawke). The globetrotting arms dealer also pursues the woman of his dreams, supermodel Ava Fontaine (played by Bridget Moynahan). Yuri’s attempts at wealth becomes a power struggle in himself to choose between his life as an arms dealer or going straight to protect his family as violence creeps closer into both of his lives.

Jack Valentine (Ethan Hawke) and Yuri Orlov (Nicolas Cage) in Lord of War.

This film is “based on actual events” and I am not here to talk about how much of this film is fact vs fiction. What I will say is, as a film, it is good. Yuri’s character development is similar to Tony Montana's in Scarface. Learning the gun trade and manipulating the system to their advantage until it blows up in their face when stuff goes wrong. The only difference is that Yuri ends up stuck in the system, forced to continue selling guns, as his world has already crumbled around him. And Yuri’s character isn’t the only interesting one. Everyone in this film is well-developed, especially when interacting with Yuri. 

The only real negative I have for this film is the content. I had a similar reaction when reviewing World Trade Center. It’s too real. I don’t support gun violence and am not the biggest gun fan overall in real life. This is real stuff that is happening as we speak, right outside your backdoor. A movie that makes you think about the world. And the timing of this film coming up on this Gauge with all the U.S. shootings that have been happening recently makes it hard to fairly judge. So, on the Nic Gauge, this falls in between “Good” and “Ok”.

DC, BATMAN, MISC., NEWS, SUPERHEROES

In Memoriam: Kevin Conroy, Batman, Has Died

By Brandon T. McClure

Kevin Conroy, the voice of Batman for generations, passed away this week after a short battle with cancer.

Diane Pershing, who voiced Poison Ivy in Batman: The Animated Series, was the first to announce his death. She posted on Facebook “our beloved voice of Batman, Kevin Conroy, died yesterday.” Shortly after this post, some of the lesser-known outlets began sharing the news to the disbelief of many fans around the world. Then the official word finally came from his representatives that yes, he had indeed passed away. The geek community mourns this passing and will continue to mourn it for days to come. A kind and gentle soul who touched the lives of actors and fans for more than 30 years has passed away. A bat-shaped hole is left in the hearts of those who loved him.

He attended Julliard where he studied alongside the likes of Christopher Reeve and his roommate Robin Williams. After leaving Julliard he pursued stage acting and received rave reviews for performances in A Midsummer Night’s Dream, Hamlet, and others. He starred in films and had recurring roles on television like on Cheers and Murphey Brown. But still, he struggled to find the kind of success that he was hoping for. On a whim, he answered a casting call for the character of Batman, a character he admits to having little to no knowledge of previously. He related to the character's duality and double life and found the voice through that. The rest is history.

Batman: The Animated Series is going to go down as his most influential role. He defined that character in a way few actors ever have. He was one of the first actors to bring a duality to the voice of the character, something he would refine throughout the years and something that live-action and voice actors would continue to emulate. Becoming the definitive voice for the caped crusader, Conroy would go on to voice him in shows including Justice League: The Animated Series, Batman Beyond, Justice League Action, and many more to list. He guested on almost every Batman show, including Batman: Brave and the Bold where he appeared as the Batman of Zur-En-Arrh, the alien Batman from the planet Zur-En-Arrh. He would then gain a whole new popularity with the character when he stepped back into the role with the popular Arkham trilogy of video games from Rocksteady studios. The popularity of those games introducing a new generation of fans to Conroy’s voice can’t be overstated. His most recent turn as Batman was for Warner Bros. Games Multiversus, a game that puts together various Warner Bros. properties in a Super Smash Bros.-style fighting game. 

Conroy would continue to reprise his Batman role in many animated features, notably Batman: Mask of the Phantasm, which many claim to be one of the best Batman movies ever made. He also starred in many direct-to-DVD animated features such as Justice League: Doom and most recently Justice League vs. The Fatal Five. Conroy would finally get to portray Bruce Wayne in live-action during the Crisis on Infinite Earths crossover event for the CW Arrowverse. During the second part of the five-part crossover, Kate Bishop (Ruby Rose) and Kara Danvers (Mellissa Benoist) travel to the alternate Earth-99 to look for the Batman there. They find an older Bruce Wayne with an exo-suit that he needs to move. Conroy got to play the role of a broken Bruce Wayne who’s murdered his rogue's gallery and the Superman of that Earth. It was exciting to see Conroy finally play the part in live-action and even though some fans weren’t happy with how it was portrayed, Conroy spoke fondly of the experience. He was excited to do something in front of the camera again after so long and “stretch his acting chops”, as he said to Michael Rosenbaum on his podcast. When asked if he would play that version again, he happily said he would 

Before it was announced that DC Pride 2022 was going to include a story written by Kevin Conroy, many fans weren’t aware that he was gay. He had come out in 2016 during an interview with the New York Times, but it went largely unnoticed until recently. His story in DC Pride 2022, talks about his journey as a struggling gay actor and the hardships he went through with his family. He came from a devout catholic family and his father was an abusive alcoholic. The DC Pride 2022 issue details a life that many are unfamiliar with. It’s a touching story that hits even harder now. He kept his private life very personal for his entire life. It wasn’t until DC’s touching tribute to the man did fans learn that he had been married for many years to Vaughn C. Williams. Nothing is publicly known about their relationship, but it’s a comfort to know that he wasn’t alone in the end.

It’s unknown if there were any films or shows that he was working on before his death, but he was reunited with Batman: The Animated Series co-creator Bruce Timm when he was cast as Thomas Wayne in Batman: Caped Crusader. Since that show is currently looking for a new home after being removed from HBO Max, it’s unknown at this time if he recorded any dialogue. Since his passing, there has been an outpour of love for him from his friends and co-stars. The likes of Mark Hammil, Susan Eisenberg, Tim Daly, and many more have all expressed their sorrow for the loss of their friend. He was a unique talent, one that will never be seen again. 

He was Batman.

COUNTDOWN - Infinity Saga

COUNT DOWN #30: A Hint Of Legacy

By Brandon T. McClure (@btmcclure @fakenerdpodcast)

The MCU, specifically the Infinity Saga (2008-2019) has meant a great deal to me, as I am sure it has for many people. What first started as a book pitch is now a series of essays of mine that will be (hopefully) published every week. The goal is to pick a specific moment within The Infinity Saga and share with you why I believe it’s a defining moment. To revisit previous posts, visit our site HERE.

Enjoy the ride as we count down from 50 of the most defining moments and share your thoughts in the comments. 

• A Hint of Legacy •

MOMENT# 30

MOVIE: Ant-Man

DIRECTORS: Peyton Reed

WRITERS: Edgar Wright, Joe Cornish, Adam McKay,Paul Rudd

Hank Pym (Michael Douglas) and Scott Lang (Paul Rudd) in Ant-Man.

Legacy used to be incredibly important to comics. All through the 90s and early 00s, DC comics were replacing long standing characters with their sidekicks. One of the most unique versions of this was in the television series Batman Beyond; a story about Gotham in the future that once again was plagued by crime and in desperate need of a new Batman. That new Batman came in the form of Terry McGinnes who got some much-needed help from the OG Batman himself, Bruce Wayne. It was a winning formula that has been underutilized ever since. Until the MCU’s 12th film, Ant-Man.

Some people may not remember this, but Ant-Man was originally announced to be coming out in Phase 1. Before the Phase designation was in place, Edgar Wright was attached to develop a feature film based on the character. But due to many delays and “creative differences” with the, now defunk, MCU story group, Wright left the project and Peyton Reed was brought on to continue the work. Interestingly, these “creative differences” were enough for Kevin Feige to lobby Disney to restructure Marvel Studios so it no longer had to answer to the head of Marvel Entertainment, Ike Perlmutter, but that’s a story for another time.

Throughout the development of Ant-Man, most fans had assumed the story would center around the origin of the original character to have that mantle, Hank Pym. It came as a nice surprise when it was revealed that Paul Rudd had been cast in the lead role of the second Ant-Man, Scott Lang. At the time, Lang was a popular character who had taken on the mantle of Ant-Man in 1979 and had held it off and on ever since. The MCU had made a name for itself at this point by using original versions of the comic book characters and had not yet entertained the idea of a legacy for them. But the question was still asked, could there be a Scott Lang without Hank Pym?

Hope Pym (Evangeline Lilly), Scott Lang (Paul Rudd) and Hank Pym (Michael Douglas) in Ant-Man.

Most likely taking some inspiration from Batman Beyond, Hank Pym was introduced as an older man who had been the Ant-Man many years prior when he worked for S.H.I.E.L.D. Now a retired hero, he needs someone to become the Ant-Man and break into PymTech to make sure the Pym Particle doesn’t fall into the wrong hands. Pym’s old protege, Darren Cross (played by Corey Stoll), has discovered a way to recreate Pym’s shrinking technology and wants to sell it to the highest bidder. It just so happens that Scott needs the money that Pym is offering him so that he can continue to see his daughter, Cassie. 

All of a sudden, Legacy became important to the MCU. Since the onset of the MCU, Marvel Comics has seen a significant increase in legacy characters. Sam Wilson became Captain America, Jane Foster became Thor, Kamala Khan became Ms. Marvel, and so on and so on. Even before the MCU, the Young Avengers were a beloved team filled with legacy characters, including Kate Bishop as Hawkeye and, of course, Cassie Lang as Stature. While these long-running comic book universes at DC and Marvel have a reputation of being static stories rarely willing to break from the status quo, they have many periods in their history where that is not the case. It was also a reputation that the MCU couldn’t afford to develop. Actors will age out of roles in a way that comic book characters will never do.

It’s worth noting that Ant-Man also helped fill in the gap between Captain America: The First Avenger and Iron Man. While it was generally assumed that there were no other heroes between the introduction of these two Avengers, that just immediately became untrue. If Ant-Man and the Wasp could be operating as unseen heroes, then that could mean that others had been as well. This certainly opened up the door to introduce characters like Captain Marvel in a unique way and hopefully some others down the road.

For the MCU to continue to succeed, it needs to continuously evolve and grow and one of the ways it can do that is through legacy. Actors age and eventually want to step away from action heavy roles, so passing along the legacy is an easy way to keep the stories going with fresh perspectives no less. Hank Pym and Scott Lang were instrumental in preparing audiences for legacy casting and proves that the Batman Beyond formula can continue to work.

EVENTS

HALLOWEEN HAUNTS 2022 / Knotts Scary Farm - Buena Park, CA

Knotts Berry Farm is the gentler of the Southern California theme parks. Charlie Brown and his Peanuts gang welcome kids of all ages. BUT after dark during the Halloween Season, the Berry becomes Scary.
We have done a lot of haunts this year (some recorded and some not). Knotts is contender of being one of the best. They really upped their game this year. Legit jump scares and beautifully freighting props. The atmosphere can make the hairs on the stand on the back of your neck. Some walkways were so creepy in the way they were lit, it felt that average guests were zombies in front of you.
Big thumbs up for a great event this year.

TELEVISION, SUPERHEROES, MOVIES

DC Has Found Their Kevin Feige’s

By Brandon T. McClure

For a number of months now, there have been numerous reports about how Warner Bros. Discovery head David Zaslav was looking for a “Kevin Feige-like” figure to spearhead a new direction for the DC films. The thinking was that, despite their success, DC has been floundering without a singular voice guiding a specific direction, in the vein of Marvel Studios. THR has recently reported that that figure has finally been found in the form of James Gunn and Peter Safran. The two of them will work together as co-CEOs at DC Studios, effectively replacing former head Walter Hamada who departed the company earlier this month.

Reports of this search have been going on since the early days of the merger with WarnerMedia and Discovery. Initially, it was reported that Zaslav was looking at offering the job to the likes of Joker director Todd Phillips and even Kevin Feige himself. No formal offer was made to either man but it looked like Zaslav was barking up the wrong tree with, at least Feige. It’s difficult to imagine anyone pulling Kevin Feige away from Marvel Studios at this point or in the near future. While Joker made lots of money for WarnerMedia (Or was it TimeWarner at the time?), Phillips isn’t a comic book fan and he didn’t seem like the right fit. So the search continued. 

Fast forward a number of months when it was revealed that Walter Hamada was given the offer to stay on board the new company. Hamada, for all his faults, oversaw very successful DC films including Aquaman and Shazam. Walter Hamada had a very filmmaker-first attitude when it came to the DC films he produced. He was adamant that every DC film would be able to stand on its own as the sole vision of the director. This was a deliberate contrast to how Marvel Studios produced their films. His strategy seemed very chaotic, however, with Michael Keaton returning and replacing Ben Affleck as Batman, a film centered on Static Shock, multiple Superman projects, and many spin-off shows for HBO Max that were in various stages of pre-production. Hamada was very interested in making big-budget shows and movies for HBO Max, which Zaslav is reportedly very opposed to. When Zaslav canceled Batgirl during its post-production, Hamada decided it was time to leave the company and he declined the offer. It’s possible more of his projects were canceled than the public knows at this point (Does anyone know what happened to Static Shock?). He had his strengths, but he had also been a controversial figure in the eyes of the public thanks to his actions during the abuse investigation of the 2017 film Justice League, so perhaps his leaving was for the best.

The search appeared to be over at last when a report came out that producer Dan Lin was being considered for the role. Once again, no formal offer was made but it appeared that Warner Bros. Discovery was putting all they had into getting him onboard. Lin had a relationship with Warner Bros. after producing many films for them, including The Lego Movie and Godzilla vs. Kong. However, he has many projects in the works right now through his production company Rideback, such as Lilo & Stitch with Disney and the long-awaited third Sherlock Holmes film. In order to take on this role in DC Studios, Lin would have to leave Rideback and any projects he was associated with as well as a first-look deal with Universal Studios. By all accounts, he seems like a good man, a decent producer, and a fan of DC Comics, but it wasn’t meant to be. He denied the offer when it came, likely due to the controversial cuts David Zaslav had been making throughout the company.

After an extensive search, Warner Bros. Discovery finally announced that James Gunn and Peter Safran had signed a deal to be Co-CEOs of DC Studios, which appears to be a new division within Warner Bros. Discovery and in the same vein as Marvel Studios. Most people will know James Gunn as the director of Guardians of the Galaxy and The Suicide Squad, but may be unfamiliar with Peter Safran. Safran has been a producer on many Warner Bros. franchises, including the Conjuring movies and DC films, including Peacemaker and The Suicide Squad, which he did with James Gunn. In fact, Gunn and Safran’s working relationship goes even further as THR reports that Safran began his time in the film industry as a manager where James Gunn was one of his clients. 

It appears that Zaslav turned his attention to building a structure at DC Studios similar to how Pixar is run, rather than Marvel Studios. A notion corroborated by THR themselves when they say “Even though Zaslav talked about finding a Kevin Feige-style executive, over the summer the team started looking at emulating the Pixar model, in which you have producers and filmmakers working as executives. That has never been tried in the live-action space”. This could be an experiment that pays off and, if it does, could lead to an industry shift where more creative voices are put behind the scenes. Gunn, for his part, will focus more on the creative side of everything while Safran will focus on the business and production side. The two of them will oversee all of DC’s film, television, and animation endeavors, which likely means picking up the pieces that hurricane Zaslav has left them with. 

“We look forward to collaborating with the most talented writers, directors, and actors in the world to create an integrated, multilayered universe that still allows for the individual expression of the artists involved.” Gunn and Safran said in a joint statement. Since so many fans have resonated with DC’s filmmaker-first approach to their films, it sounds as though Gunn and Safran want to keep that intact while also honing in on the chaotic approach left by Hamada. While Zaslav likes to boast a new ten-year plan for DC films, Gunn and Safran’s contract is only for four years, with the likely option to sign a new contract when it’s up. For reference, Hamada was only at Warner Bros. for four years as well, so there’s certainly a lot that can be done in that time. During this time, Gunn will be exclusive to DC, which puts to bed any speculation of him directing a Marvel film after Guardians of the Galaxy Vol. 3. While he obviously has Peacemaker season 2 in the works, he will be able to also direct other DC films while he’s operating as co-CEO, something that has only been done at Pixar.

Up until now, the post-production of upcoming DC films like Aquaman and the Lost Kingdom, Shazam: Fury of the Gods, and The Flash have been overseen by the heads of Warner’s film division Micheal De Luca and Pamela Abdy. But effective November 1st, Gunn and Safran will take over those duties and every future DC film with the exception of Joker: Folie à Deux and possibly The Batman, due to them existing in separate universes. It’s unclear at this time who will produce the sequel to The Batman and its spin-off shows on HBO Max but De Luca and Abdy will produce the upcoming sequel to Joker. That all said, Gunn and Safran will work directly with De Luca and Abdy, and other various department heads while answering directly to David Zaslav himself. By all accounts, the two of them are kind people, who know how to make good movies and are fans of the source material, so this sounds like news that should be celebrated. While this is just speculation, it would be nice if this meant the remaining DC projects in development were safe from being unceremoniously canceled by Zaslav's need to recoup his dept.

Kevin Feige is a tough act to follow. Studios have been trying to replicate what he’s done for more than a decade now to no success. Warner’s has gone through many people trying to find their own, such as Zack Snyder, Geoff Johns, and the aforementioned Walter Hamada but none have found the secret sauce that makes Feige’s approach so successful. Truthfully, DC’s most successful when they aren’t trying to replicate what Marvel has done. DC’s films have found financial and critical success despite the constant changes behind the scenes. Time will tell what a more consistent voice will do for the films. A Pixar-type structure for a live-action studio is an interesting idea, one that could pave the way for more creative voices behind the scenes of major studios. While the news is surprising, considering Gunn has never expressed interest in being in this position, it’s great to have good news come out of Warner Bros. Discovery for once.

EVENTS

HALLOWEEN HAUNTS 2022 / Shaqtoberfest - Long Beach, CA

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Atomic Geekdom returned to the Queen Mary this year but was greeted by Shaqtoberfest instead of the familiar Dark Harbor extravaganza. When we arrived, we walked under the huge inflatable Shaquille O’Neal walkway, loaded with skulls and smoke machines. Keeping with the nautical theme of the Queen Mary, the mazes were set up for Pirates and Monsters alike. A carnival was awaiting, equipped with the Gravitron, a carousel, and even a fun house. At 8pm, the spooky characters emerge and the event takes on a more adult theme. For example, you can purchase a glowing necklace that scores you a shot of rum in the Pirate’s Cove. Before 8pm, families are encouraged to trick-o-treat and enjoy the rides which also include bouncy houses and slides.

This was a lot smaller than the older Dark Harbor because everything was on land since the boat is under construction. This did not take away from the fun though. It felt very much like small town community carnival despite being set in the busy Downtown Long Beach area. It brought back all those memories of county fairs growing up but also a bit of scariness.

The cast of characters (ghouls) were the stars of this event. You never knew when one would come up behind you or jump in your way. This added to that crazy fun haunt mentality.

It’s so awesome that Shaqtoberfest kept the location alive this halloween with their mazes, walking through a monster, grabbing a drink near a paddy wagon and realizing the Gravitron is pretty intense the older you get. Totally worth the ride.

EVENTS

HALLOWEEN HAUNTS 2022 / Cemetery Lane - Los Angeles, CA

Cemetery Lane is not like Atomic Geekdom’s normal haunts BUT has so much charming spookiness. Nothing is more fun than kids of all ages dressed in their favorite costume having a candy rush.

Located in Heritage Square (a “gated, safe and secure” historical mock neighborhood), Cemetery Lane feels like you stepped back into a time where the original Twilight Zone aired. Each of the historical houses are decked out in Halloween scenes that are kid-friendly creepy.

This may be one of the best family-friendly events out there. The cast of characters worked so well with the young children to make sure they were not scared. For example, the “Spider” house had large robotic spiders that would lunge at you when you walked up. The “Sisters” who worked that house would introduce the spiders to the young kids and let them pet them (as if they were just like a cat or dog). As an adult, the props were so cool and detailed that it was a WIN for all ages.

If you do not have kids, don’t worry. This is a spectacular location for a Halloween Date-Night. Grab a taco or hot dog from one of the vendors and sit at the many picnic tables to watch the various costumes pass by.

This is a must add to your halloween event list (and the haul of candy you receive doesn’t hurt too).

COUNTDOWN - Infinity Saga

COUNT DOWN #31: Snap to Dust

By Brandon T. McClure (@btmcclure @fakenerdpodcast)

The MCU, specifically the Infinity Saga (2008-2019) has meant a great deal to me, as I am sure it has for many people. What first started as a book pitch is now a series of essays of mine that will be (hopefully) published every week. The goal is to pick a specific moment within The Infinity Saga and share with you why I believe it’s a defining moment. To revisit previous posts, visit our site HERE.

Enjoy the ride as we count down from 50 of the most defining moments and share your thoughts in the comments. 

• Snap to Dust •

MOMENT# 31

MOVIE: Avengers: Infinity War

DIRECTORS: Joe & Anthony Russo

WRITERS: Christopher Marus & Steven McFeely

Bucky (Sebastian Stan) after “The Snap” in Avengers: Infinity War.

The Marvel Cinematic Universe has been around for more than a decade now and in that time, audiences have seen heroes rise and defeat incredible villains. No matter how steep the odds, the heroes won. So going into the culmination of the Infinity Saga, audiences expected more of the same. Thanos was coming to Earth and the heroes would come together and defeat the big purple alien. They were in for a surprise.

When Thor plunged his axe into the chest of the Mad Titan, audiences breathed a sigh of relief, it was over. Until Thanos snapped his fingers and the screen went white. Think back to the theater experience at this point, murmuring through the screening began as people weren’t sure what just happened. Did the Avengers just lose? That’s impossible, they don’t lose. Something probably stopped the stones from working right? Even Thanos looks confused as he uses the Space Stone to make his exit. Thor and Steve look around, disaster averted right? Then Bucky turned to dust and audiences were left with the horrible image of watching many of their favorite heroes disappear from existence. Spider-Man, the Guardians, T’Challa, and on and on as the remaining heroes could do nothing but watch their friends disappear right before their eyes.

Spider-Man/Peter Parker (Tom Holland) after “The Snap” in Avengers: Infinity War.

To put it frankly, it’s a traumatizing scene.

In comic book movies, the heroes win and go home at the end of the day ready to fight the next battle. The creatives behind the scenes of Avengers: Infinity War knew that audiences would go in expecting this and deliberately played with those expectations. It was almost like Marvel had spent a decade lulling their audience into a false sense of security and then pulled the rug out from under them. It hadn’t been that long ago that some of these heroes were introduced, and all of a sudden fans had to say goodbye. Although it was clearly not meant to be a permanent goodbye. It’s not unfair to say that audiences felt safe with Marvel movies. Almost like a warm blanket that you could wrap around you. These were comforting characters for many and part of the reason was that fans knew that nothing disastrous could happen to them. Stakes were always high, but death and loss were rarely, if ever, on the table. 

As internet culture grew, many fans began to learn certain contractual details. For example, many early contracts that these actors had to sign consisted of three “solo” movies and three “Avengers” movies. While most of these details are harder to find now, it was unlikely that Marvel was going to wipe out half of its universe. Still, though, the very act of doing it at all was bold. Because Marvel was mostly aware of its own safe approach to its films, they were willing to take a larger swing. Obviously, the audience would return for Avengers: Endgame so why shouldn’t Marvel kill more than half of their heroes? Doing so created a special communal experience for anyone who came out of the theater. A special type of trauma that would fuel discourse and discussion for the next year while everyone waited for Avengers: Endgame.

Scarlet Witch/Wanda Maxmoff (Elizabeth Olsen) after “The Snap” in Avengers: Infinity War.

The event that fans would go on to call “The Snap” became one of the most impactful moments in the MCU. The time between Avengers: Infinity War and Avengers: Endgame was a major moment for the franchise that had fans bonding in their shared trauma. No one had a clue what Avengers: Endgame could have in store for them but seeing the Avengers fail in such a traumatic way created a special longing to see these heroes bounce back. To this day, “The Snap” is still discussed with conversations about who was blipped that weren’t shown and what could the economic fallout of it have been. “The Snap” is a unique moment in the MCU that didn’t just traumatize the heroes, but also their fans.

Nic Gauge

NIC GAUGE / Pay The Ghost

MOVIE: Pay the Ghost

STARRING: Nicolas Cage, Sarah Wayne Callies, Veronica Ferres, Lyriq Bent, Lauren Beatty, Kalie Hunter, Jack Fulton, Stephen McHattie

RELEASE DATE: September 16th, 2015

WHERE TO WATCH: VOD (Amazon Prime, Apple TV, Vudu)

By Justin Pomerville (2 Broke Geeks)

Mike Lawford (Nicolas Cage) in Pay the Ghost.

Since it’s October and I have already gone through all the obvious horror films that Nicolas Cage has to my knowledge, I had to try and find one that fits the Halloween theme. That’s when I came across 2015’s Pay The Ghost. Will it live up to similar expectations like Mandy or fall flat like Willy’s Wonderland?

Plot is professor Mike Lawford (played by Cage) has his life torn apart when his son Charlie (played by Jack Fulton) is abducted on Halloween night at a parade. One year after his disappearance, we find Mike is still searching, and both him and his wife (played by Sarah Wayne Callies) are haunted by visions that sends them on a trip into the supernatural to unravel the horrifying truth. Mike finds out that on every Halloween night, more children go missing. They are never found and there might be a connection to them all.

Mike (Nicolas Cage) and Charlie (Jack Fulton) in Pay the Ghost.

Overall, this isn’t a terrible film. The supernatural aspect revolving around pagan rituals is something you don’t see too often. My biggest complaint about this film is that the killer, which is a ghost, comes back every Halloween to take 3 children specifically. The complaint isn’t the ghost’s motives, but that everyone else slowly starts understanding what is happening, and then the ghost decides to kill anyone that figures it out. There is some great stuff they could have done like either getting the kids back or protecting the children. But the addition of random ghost murders and jumpscares for a bigger kill count felt unneeded.

Ghost Annie (Kalie Hunter) and Mike (Nicolas Cage) in Pay the Ghost.

The film also felt rushed to cram in all the necessary information about the ghost in a quick 10-minute bit right before the last act. Which, the last act itself also felt rushed. There was no point in this film that I felt like Cage’s character was in danger. There was never a sense of “Will he find his kid?”. It just felt like a generic ghost story that never got out of first gear.

The acting in this film and the plot were alright. If we were comparing other Cage-based horror films, this would probably be closer to the middle of the pile. But on the whole Nic Gauge scale, it is on the lower end of OK.

MOVIES, SUPERHEROES

Warner’s Schroedinger Superman is Let Out of the Box

By Brandon T. McClure

A new report from The Hollywood Reporter recently stated that a Superman film starring Henry Cavill is in early development at Warner Bros. Discovery. This tracks with a very early insider report from the early days of the merger that stated a Superman film starring Cavill was a top priority for the incoming head of the company, David Zaslav. Since the 2017 release of Justice League, fans have been unsure of what the future held for the Man of Steel, but his appearance in Black Adam (complete with head), this new report from THR, and an announcement video from Cavill himself suggest the future is finally bright for the Man of Tomorrow.

For a while, it was unclear if Henry Cavill was still Superman in the DCEU or whatever Warners calls their DC film continuity these days. The character of Superman appeared in Shazam and Peacemaker but his face was obscured both times, Suggesting that Warner’s wasn’t sure if they were interested in moving forward with Cavill as Superman. While Cavill was clearly interested in returning to the role, the studio just dragged its feet for many years about it. Cavill always stated that if they wanted him, he would be there, indicating that there was no bad blood between him and the company. Cavill’s Superman clearly existed in the film universe, but because they were unwilling to make a call on it one way or the other, he also didn’t 

At one point it was revealed that Cavill himself had approached Warner Bros. head of DC Films, Walter Hamada with directors who were interested in developing a Superman movie. Back in 2019, Christopher McQuarrie (Mission: Impossible - Fallout) was asked about his involvement with the now-defunct Green Lantern film. He claimed “[i]t tied into the Superman movie that Cavill and I were proposing” and that Warner’s wasn’t interested. Most recently, during the press for Black Adam, Dwayne Johnson mentioned that the “old regime” (most likely talking about Hamada) were actively blocking attempts to bring Cavill back to the role. It wasn’t until September of this year that they got the green light to include him.

It’s unclear what Hamada had against bringing Cavill back, but he put two alternate Superman projects into development. As part of an overall deal with J.J. Abrams's Bad Robot company, Ta-Nehisi Coates was brought in to write a script for a 1940s set Superman film that would introduce a black version of Clark Kent. The other project was through a deal with Michael B. Jordan’s production company, Outlier Society Productions, to develop an HBO Max series based around the Superman of Earth 2, Val-Zod. Jordan was potentially interested in starring in that particular project. These two projects were part of Hamada’s Multiverse strategy which already delivered films like Joker and The Batman to critical acclaim. Now that Hamada has left the company, perhaps we’ll never truly know why he was so desperately opposed to Cavill’s return. 

These projects went quiet amid the chaos of the merger of WarnerMedia and Discovery. The deal WarnerMedia signed with Bad Robot was in 2019 and no projects have come out of that thus far even though rumors of various Justice League Dark shows have surrounded the deal. Shortly after Batgirl was canceled by Zaslav, an insider report hit the internet suggesting that Coates had turned in his first draft of his Superman project and Zaslav was requiring rewrites. These rewrites were reportedly to change the setting to the modern day and make the film about a white Clark Kent instead of the originally intended black version. Speculation around this report suggested that Zaslav could be interested in turning Coates’ script into a new Henry Cavill-led Superman film. However, the same THR article that spoke of “Man of Steel 2” also suggested that Coates’ Superman film is separate and still in active development. Where that leaves the Val-Zod series is anyone's guess at this point. 

2017 was the last time Henry Cavill was seen in the Superman suit (Zack Snyder’s Justice League notwithstanding), and it’s good that he’s finally able to return to the role that he clearly loved so much. The cinematographer for Black Adam recently told news outlets that a headless Superman was originally going to make an appearance in the film’s post-credits scene, in the vein of Shazam. Who knows how that would have gone over with audiences since they were already getting tired of the runaround from his previous two “appearances”. Every time a new regime shift happens at Warner Bros. they claim to have a “10-year plan” in place for the DC films. Unlike the last regime, part of that new plan appears to involve Henry Cavill as Superman. For five years, fans have wondered what the deal with Superman was and can rest comfortably knowing they have their answer.

TELEVISION, SUPERHEROES

CW / The End of the ARROWVERSE

By Brandon T. McClure

In the midst of massive restructuring in Warner Bros. and the CW channel, the CW recently announced that the planned ninth season of The Flash will be the end of the long-running (pun intended) Arrowverse show. After it was revealed that Superman & Lois did not take place in the Arrowverse (despite conflicting reports in the first season), The Flash became the last show standing. At its height, the Arrowverse consisted of six shows, and one by one the expansive universe dwindled into one. The exciting New Era promised after the “Crisis On Infinite Earths'' crossover seems to be ending with a whimper, rather than a bang.

Flash (Grant Gustin) in CW’s The Flash

After Arrow’s successful first season, the second season looked to expand the world and introduced Bary Allen. His episode was meant to be a backdoor pilot for a series based on the DC character, The Flash. The Flash began airing in 2014 and quickly became popular with viewers. It was instrumental in expanding the Arrowverse and the relationship between Oliver and Bary became a crucial linchpin in the franchise. What started as a world without superheroes, developed into an exciting and expansive world that would go on to include many superheroes. 

Supergirl, Legends of Tomorrow, Black Lightning, and Batwoman would soon follow, as the world and the multiverse expanded. Dozens of DC Comics heroes and villains big and small would be introduced like Firestorm, Martian Manhunter, and even Superman. Eventually, the shows felt just as alive as the comics they were based on. Crossovers became annual events that would delight audiences as the universe grew bigger and, often, more ridiculous. Eventually, the crossovers grew so large that they adapted the biggest crossover in DC comics history, Crisis on Infinite Earths. The end of the massive five-part crossover promised a bright future for the Arrowverse. Green Arrow was gone, Supergirl and Black Lightning were merged into the same Earth and Superman was about to get his own show, an assumed spin-off of Supergirl, the stage was set for even bigger events and even a Justice League.

Mon-El (Chris Wood) and Supergirl Kara Zor-El (Melissa Benoist) in CW’s Supergirl

Then the pandemic happened and the bright future was cut off. The pandemic was a struggle for the entire entertainment industry the longer it went on. Shows and movies were able to film but the restrictions made scheduling very difficult. Restrictions on how many actors could be on set, not to mention actors getting sick from the COVID-19 virus made the job of writing the shows much harder. Proposed crossovers weren’t able to happen due to various scheduling issues and a desire to keep every set isolated in the hopes of quelling the virus. Keeping a shared universe together requires a lot of planning, and the pandemic made planning and structure almost impossible.

Ruby Rose, who headlined Batwoman, was going to be positioned as one of the new faces of the Arrowverse due to her natural chemistry with Melisa Benoist, who had played Supergirl for many years now. Rose left the Arrowverse show, however, for many reasons, most notably the abuse she suffered on set from producers. Rather than replacing Rose in the lead, the showrunners created a new character to be played by Javicia Leslie, in the second season, in the hopes of saving the show from cancellation. Benoist herself decided to leave the Arrowverse, which put an end to Supergirl due to her becoming pregnant and wanting to focus on her family. The end of Supergirl would follow the premature end of Black Lightning, although a spin-off of the latter was developed but never greenlit.

Ryan Wilder/Batwoman (Javicia Leslie) in CW’s Batwoman

After Superman & Lois, the Arrowverse struggled to launch new shows set within the “Earth-Prime” continuity. A spin-off of Arrow was developed centered around Oliver Queen’s daughter taking up the mantle of the Green Arrow in the Star City of the near future. Tentatively titled Green Arrow and the Canaries, the show would languish in development hell until The CW decided not to move forward with the series. Fan favorite character John Diggle currently has a series in development called Justice U, but it remains to be seen if that series will ever make it to air.

Batwoman and Legends of Tomorrow ended earlier this year, leaving The Flash as the final Arrowverse series. As each show began to fall, it became increasingly bizarre that The Flash was still going. Every time the series was renewed for a new season, many would wonder how long this show could continue. Finally, the announcement came that the upcoming ninth season would be its last. While there are other DC shows on the CW like Stargirl, the upcoming Gotham Knights, and the aforementioned Superman & Lois, there are no more that share the continuity established in 2012 with Arrow

With so many shows set in one continuity, it can be difficult to sustain them, and the ambitious plans for the future of the Arrowverse might not have been sustainable anyway. The shows were incredibly popular, and perhaps their popularity was always going to wain after “Crisis on Infinite Earths”, but it’s hard not to lament the way the Arrowverse is going out. The Arrowverse deserved to go out with a big bang, something even bigger than their biggest crossover. But sadly, all it will get is a few episodes of The Flash season 9 and that will be it. These were popular characters and actors that audiences loved and it just feels like they deserved more.

EVENTS

HALLOWEEN HAUNTS 2022 / The Hill Has Eyes - Franklin, WI

Let’s kick off our Halloween fun with some rad haunts around the country.

Dave & Kyle had a blast exploring “The Hill Has Eyes” in Franklin, Wisconsin last week. Despite having to channel their inner patience for the sun to set, both highly recommend checking this one out.

Before starting the maze, you’re brought down to the opening area where you can warm up by the fires, grab a drink (both alcoholic and kid friendly options) at the Umbrella Bar or treat yourself to some food from the many food trucks on site.

Kyle loved the Carni Vore maze. He’s not afraid of clowns but enjoyed watching others in his group who were. “They pulled off the scares really well. There was a kaleidoscope-like hallway that moved back and forth. Made me think I couldn’t walk straight!”

Continuing with Dead End, Failed Escape and Hunger Hollow mazes, this gets a big ol’ bloody thumbs up.

Both agree that with near 2 hour drive, a Chicago to Franklin roadtrip would be totally worth it for this haunt that is nestled just outside of Milwaukee.

Nic Gauge

NIC GAUGE / Drive Angry

MOVIE: Drive Angry

STARRING: Nicolas Cage, Amber Heard, William Fichtner, Billy Burke, David Morse, Todd Farmer, Christa Campbell, Charlotte Ross, Tom Atkins

RELEASE DATE: February 25th, 2011

WHERE TO WATCH: VOD (Hulu, Amazon Prime, Apple TV, Vudu)

By Justin Pomerville (2 Broke Geeks)

Piper (Amber Heard) and Milton (Nicolas Cage) in Drive Angry.

Drive Angry is a thriller/action film that came out in 2011 under the title Drive Angry 3D. It’s pretty much a cross between Fast & Furious and Ghost Rider. As you know already from my Ghost Rider review, this is going to be rough. With a tagline, “All Hell Breaks Loose”, how rough could it be? I’m a fan of grindhouse and cults, so it’s got to be fun.

The plot is John Milton (played by Cage) escapes Hell with Satan’s shotgun to hunt down cult leader, Jonah King (played by Billy Burke). King killed Milton’s daughter and is planning on sacrificing Milton’s granddaughter to open a doorway to Hell. Milton accidentally involves waitress Piper Lee (played by Amber Heard) on a cross-country road trip while also being pursued by The Accountant of Hell (played by William Fichtner) who is trying to retrieve Milton and drag his soul back. 

Milton (Nicolas Cage) in Drive Angry.

This film is confusing because although it is slightly entertaining, it’s confusing in tone. It calls itself a grindhouse action/thriller when in reality, it’s more of a rated R action film that was made for fans of 3D films. The special effects are terrible, the 3D effects make it look tacky, the script is repetitive, and there were parts of the film felt awkward in terms of where my attention was drawn to. There were background actors that felt like they had bigger roles than what was in the final product.

There are really only two positives of this film that pull it up a little bit from some of the other “Hot Mess” films. The performances of Nic Cage and William Fichtner. Although Cage really feels like he is just going through the motions, he still is entertaining to watch. Then there is Fichtner, who every time I see him in a role, he always plays this wooden, bureaucratic type, and it is always hilarious. Because of those two, this film rises to the lower end of “Terrible” on the Nic Gauge.

TELEVISION

QUANTUM LEAP 2022 / Scott Bakula not returning...

By Brandon T. McClure

Quantum Leap is returns to the small screen on September 12th. The reboot of the 1989 sci-fi drama series about Dr. Sam Beckett leaping through time, trying to put right what once went wrong. This time, it will follow a new scientist (Dr. Ben Strong played by Raymond Lee) and his team as they restart the Quantum Leap program and begin their own journey. Since the new series is billed as a sequel to the original, many fans were hopeful that it would finally give Sam Beckett the happy ending he was denied in the original show. But Dr. Beckett himself, Scott Bakula, took to Twitter to set the record straight.

The original show began airing in March of 1989 and became a success due to its good-natured storytelling. It was anchored by the chemistry between Dean Stockwell and Scott Bakula, whose friendship was at the heart of every season. Since the infamous ending title card read “Dr. Sam Beckett never returned home,” fans have been left wondering what ever happened to the intrepid time traveler. Donald P. Bellisario, the shows creator, had been working for a number of years to bring the further adventures of Sam and Al back, first with a television movie on the SciFi Channel and then as a big screen feature-length film. Now that universe is finally returning and, even though Bellisario is involved in the new series, everyone has been pretty quiet on whether or not Bakula will be involved.

Scott Bakula posted a Twitter thread that explained his involvement in the new show. In short, he’s not involved at all. “I have no connection with the new show” he tweeted, which immediately dashed the hopes of long-time fans. Apparently, he was sent a script for the pilot of the new show, because the Sam Beckett character was initially included, but decided to pass on it. He went on to say “‘How could you do [Quantum Leap] without Sam?’(or Al, for that matter)  Well, I guess we’re about to find out.” He did mention that it was a difficult decision to make and that he hopes for nothing but the best for the new team, but he will not be making an appearance.

This kind of cuts the new show off at the knees a bit. Fans were hopeful that the new series would pick up on some of the threads from the original show, especially considering Ernie Hudson’s returning character. The original announcement for the 2022 reboot told audiences that the new Quantum Leap project was being restarted to find out what happened to Sam. Since Dean Stockwell has passed away, it was clear that Al couldn’t be a part of the series but knowing that Sam won’t be either is a tough pill to swallow.

This is not to say that the new show won’t be able to stand on its own of course. Certain expectations come with sequel shows, and it’s good that Scott Bakula quelled those expectations before the show aired. While some legacy actors try to keep their returning roles a secret, Scott Bakula didn’t mince words over him not returning. His language makes it sound pretty definitive that he’s not looking to guest star on the show at any point. Perhaps if Quantum Leap does get a second season, the writers could reach out again to see if he has changed his mind. 

Nic Gauge

NIC GAUGE / Jiu Jitsu

MOVIE: Jiu Jitsu

STARRING: Alain Moussi, Nicolas Cage, Raymond Pinharry, Mary Makariou, Tommy Walker, John D. Hickman, Eddie Steeples, Rick Yune, Ryan Tarran

RELEASE DATE: November 20th, 2020

WHERE TO WATCH: VOD (Netflix, Amazon Prime, Apple TV, Vudu)

By Justin Pomerville (2 Broke Geeks)

Wylie (Nicolas Cage) in Jiu Jitsu

Do you like aliens? Martial arts? The movie Highlander? Then 2020’s Jiu Jitsu might be the missing movie from your collection. As someone who is a fan of sci-fi, martial arts, and Nic Cage, this film felt like it was catering to a very small, niche fanbase. As an added bonus, this film was adapted from a 2017 comic book of the same name that was written by Dimitri Logothetis, who also directed this film. So, how can a movie with those kinds of details fail? Turns out, fairly easily. 

The plot is that every six years, an ancient order who are Jiu Jitsu experts face off against alien invaders for supremacy of Earth. For thousands of years, they have this contest, and every year, the humans win. Now, when a master Jiu Jitsu fighter, Jake Barnes (played by Alain Moussi) refuses to face an indomitable alien creature names Brax, the future of humanity hangs in the balance. Injured and suffering from severe amnesia, Jake is captured by a military squad unequipped to fight the merciless intruder who has descended upon the planet. Jake is rescued by Wylie (played by Cage) with an ancient order of Jiu Jitsu fighters who must help him recover his memory, regain his strength in order to band together and defeat Brax in an epic battle that will determine the fate of mankind.

Brax (Ryan Tarran) in Jiu Jitsu

This movie is extremely boring. It feels like they were trying to make their own variation of Mortal Kombat, but everything lands like a cheap knock-off. Anytime there were fight scenes, you could see the crash pads under straw. The sword fighting was extremely slow and messy. And unfortunately, the acting was horrendous. It felt as if everyone was just going through the motions without any real emotion behind anything. From start to finish, it was a boring film with cheap-looking effects, and although the design of Brax was eye-catching, it felt like it would have been better used on a good film. This falls near the end of “Hot Mess” on the Nic Gauge.

COUNTDOWN - Infinity Saga

COUNT DOWN #32: Trevor "The Mandarin" Slattery

By Brandon T. McClure (@btmcclure @fakenerdpodcast)

The MCU, specifically the Infinity Saga (2008-2019) has meant a great deal to me, as I am sure it has for many people. What first started as a book pitch is now a series of essays of mine that will be (hopefully) published every week. The goal is to pick a specific moment within The Infinity Saga and share with you why I believe it’s a defining moment. To revisit previous posts, visit our site HERE.

Enjoy the ride as we count down from 50 of the most defining moments and share your thoughts in the comments. 

• Trevor “The Mandarin” Slattery •

MOMENT# 32

MOVIE: Iron Man 3

DIRECTORS: Shane Black

WRITERS: Drew Pearce & Shane Black

Trevor “The Mandarin” Slattery (Ben Kingsley) in Iron Man 3.

Iron Man 3 is remembered, pretty unfairly, as one of the lower-tiered MCU films. When people recall Shane Black’s only entry in the Marvel Cinematic Universe, one thing constantly stands out as the reason why the movie doesn’t work: The Mandarin reveal. The Mandarin had been teased in the Iron Man films since Tony was captured by the Ten Rings terrorist group in the first film, so anticipation was high that he would finally go up against his comic book rival. While some felt disappointed, others enjoyed the twist on the villain, and, for better or worse, it has become a defining moment in the MCU.

The Mandarin was originally conceived as a villain for Iron Man but plans changed throughout the development of the film. Instead, the creatives behind the scenes felt that saving the villain and teasing him was a better option. So instead, Iron Man introduces the Ten Rings, a terrorist group that captures Stark and forces him to build a powerful missile. The rest of the movie plays out and Tony doesn’t find out who was behind the mysterious organization that captured him. A deleted scene in Iron Man 2 includes a member of their organization helping Ivan Vanko (Whiplash) come to America. Outside of that, they were absent from that film.

Iron Man 3 takes place after The Avengers and Stark is feeling some PTSD from his experiences in the major crossover event. Things get more complicated when the leader of the Ten Rings, The Mandarin, starts to take credit for various bombings in the United States. Stark takes it upon himself to look into them after Happy becomes one of the victims. His investigation not only points to The Mandarin but a brilliant scientist named Aldrich Killian. Killian runs AIM in the MCU and had a previous run-in with Tony that almost led Killian to kill himself. As far as Stark can see, Killian had teamed up with the Mandarin in order to get his work funded. But unfortunately, he’s only half right.

Pepper Potts (Gwyneth Paltrow) and Aldrich Killian (Guy Pearce) in Iron Man 3.

Stripped of his Iron Man armor, Tony remembers that he’s still a capable hero without the suit and storms the Mandarin’s hideout. He successfully infiltrates it, only to find a crazy British drunk who’s high out of his mind named Trevor Slattery. Stark demands answers, because how could this fool be the most dangerous terrorist in the world? Turns out Killian had co-opted the name of the Mandarin and used it to cover up failed experiments. The bombings, it turns out, were people overdosing on a new drug called Extremis. Like most of Shane Black’s films, the scene is ridiculous and Ben Kingsley’s instant turn from menacing to bumbling is a true masterclass performance. Guy Pearce’s Aldrich Killian ended up being the main villain of the movie, which was one of the biggest plot twists in the MCU.

Savin (James Badge Dale) on Extremis in Iron Man 3.

This reveal was somewhat controversial and continues to be to this day. Regardless, the MCU has had a number of plot twists like the Mandarin reveal over the years. In fact, the third act villain reveal has become a staple of their recent TV shows on Disney+. Iron Man 3 was also an early example of Marvel keeping what a movie was to be truly about under wraps. Arguably, Tony Starks third outing is a major factor in Marvel’s emphasis on secrecy. Iron Man 3 was only their second film to cross $1 billion so keeping the real plot of the film such a tight secret ended up paying off for them in a big way. This strategy would eventually evolve into misleading trailers and planted leaks to try and get scoopers off their scent.

It’s been made pretty clear that the film was never trying to say Aldrich or Trevor was the real Mandarin, but that has been the major misunderstanding of the film since its release. Thanks to the Marvel One-Shot short film All Hail The King, MCU fans were made aware that there was a real Mandarin out in the world and he was very upset with Trevor’s portrayal of him. Ever since that short film was released in 2014, Marvel fans had been asking when would the MCU finally introduce the real Mandarin. That prevailing question became Iron Man 3’s legacy, for better or worse, and would become a defining one for years to come. Thankfully, fans were finally rewarded in 2021 with the release of Shang-Chi and the Legend of the Ten Rings

Whether you believe the Mandarin twist worked or not, the twist became a defining feature of the MCU. Marvel’s desire to keep the real details of their movies stems from this. No one going in had any idea that Ben Kingsley was playing anyone other than the terrifying leader of the Ten Rings. Iron Man 3 continues to be a sore topic with members of the MCU fandom but it worked and served as a satisfying conclusion to Tony’s first story arc. Whether its legacy is the question “where is the real Mandarin” or Marvel’s continued overwhelming desire for secrecy, The Mandarin twist is cemented as a defining moment in the MCU.

Nic Gauge

NIC GAUGE / National Treasure 2: Book of Secrets

MOVIE: National Treasure: Book of Secrets

STARRING: Nicolas Cage, Diane Kruger, Justin Bartha, Jon Voight, Ed Harris, Helen Mirren, Harvey Kaitel

RELEASE DATE: December 21st, 2007

WHERE TO WATCH: VOD (Disney+, Amazon Prime, AppleTV, Vudu)

By Justin Pomerville (2 Broke Geeks)

Ben Gates (Nicolas Cage), Riley Poole (Justin Bartha) and Patrick Gats (Jon Voight) in National Treasure 2: Book of Secrets.

Not going to lie, I had high expectations going into National Treasure: Book of Secrets. I really enjoyed the first movie more than I thought I would, but I was curious about how they could possibly top stealing the Declaration of Independence. Well, it turns out, it’s pretty easy to top. For another first-time watch, let’s see how Book of Secrets stacks up to the first.

Ben Gates (Cage) and his father (played by Jon Voight) are talking about the assassination of Abraham Lincoln and the missing pages of John Wilkes Booth’s diary that possibly could lead to a lost golden city. They are blindsided by Mitch Wilkinson (played by Ed Harris) who claims to have proof that Gates’ ancestor was actually a conspirator in the shooting of Lincoln. Now, both Gates (father and son) must team back up with Abigail and Riley to go on another treasure hunt in order to clear their family name.

Ben Gates (Nicolas Cage) in National Treasure: Book of Secrets,

I’ll start with my positive thoughts. The addition of Ed Harris as the villain and Helen Mirren playing Ben Gates’ mother adds more fun element to the film. I’m used to Harris playing villains, and most of the time, he usually steals the show. Helen Mirren and Jon Voight’s chemistry as a divorced couple is pretty cute. Their relationship slowly coming back together as Ben and Abigail's relationship is on the rocks, which pairs well. Ben and Abigail's turmoil stems from … I guess an argument over the usage of the word “So” and it’s context. It’s not very clear.

Emily Appleton (Helen Mirren) and Patrick Gates (Jon Voight) in National Treasure: Book of Secrets.

That leads to my negatives. National Treasure: Book of Secrets is seven minutes shorter than the first one, clocking in at 2 hours and 4 minutes yet it feels like it goes on forever. The first film felt like every scene had a purpose to keep the film moving. This felt like they had time to kill at certain points. Some scenes felt stretched out and made me ask, “Do I need to remember any of this?” The scene where Gates “kidnaps” the President was both interesting and boring at the same time, to use as an example. The one main chase sequence in the entire film even feels like a filler scene. Nothing interesting happens for 90% of it.

This film felt more filler than actual story overall with some really good beats thrown in. Because I found myself fading in and out at times, this falls more into the lower end of “OK” on the Nic Gauge.