Four Eyes Review

BOOK REVIEWS, Four Eyes Review

FOUR EYES REVIEW + INTERVIEW / "The Stardust Grail" by Yume Kitasei

Welcome back to another “Four Eyes” review. We take this moment to share 2 opinions on a single geek topic.

Below both Matt and Zahra will each dive into what they thought about Yume Kitasei’s new novel Stardust Grail. And check out Matt’s one-on-one with the author!

Let us know your thoughts in the comments or on social media using #foureyesreview

For audio, please check out the Atomic Geekdom Podcast to listen in.

FROM MATT SPAULDING

I won’t bury the lead: I haven’t had this much fun with sci-fi in a while.

When it comes to sci-fi, I mostly consume it via movies and TV. I’m a huge Star Trek fan and a Star Wars fan to a lesser extent. I love my sci-fi mixed with horror à la The X-Files and The Twilight Zone. I also get a kick out of Rick and Morty, Back to the Future, and a bunch of other sci-fi films and TV shows. But, when it comes to reading, my consumption of the genre is mostly limited to novels set in the world of Star Trek and the military/horror/sci-fi Joe Ledger series by Jonathan Maberry.

Looking at my taste, however, it’s not surprising I enjoyed The Stardust Grail as much as I did. It’s not just a sci-fi novel. If I had to best describe this book, it’s Star Trek meets Star Wars meets the Indiana Jones franchise meets Ocean’s Eleven. This book has it all: action, adventure, space travel, alien species, and heists.

The story centers on Maya Hoshimoto, a young woman who group up on a human colony on a distant planet who was once the greatest thief in the galaxy. Maya has given up crime to move to Earth and study at university. But when her former partner, Auncle, a member of the alien species called the Frenro, shows up at Earth to enlist Maya’s help in getting back The Grail, a lost Frenro artifact that can save the species from extinction, Maya is pulled back in for one last job.

But wait! There’s more! The Frenro were once responsible for the building of the Intergalactic Web, a series of portals that makes space travel possible. Turns out, The Grail also helps them build those portals. And something is destroying the portals, threatening to cut humanity off from the rest of the galaxy. So, not only has Auncle asked Maya to help find The Grail, so has the Earth military, who want to keep the Grail themselves.

Besides the action and adventure, I really appreciated the depiction of Maya and Auncle’s friendship. The Frenro are one of the most alien extraterrestrial species I have seen depicted in a while. They aren’t humanoid. They have a very different society and culture than humans. One of the things I found interesting was the cross-species relationship, which was close and loving, but also difficult because of the differences.

The pace of the book is almost non-stop. Kitasei takes just the right amount of time to slow down for character moments to build the reader’s connection to the characters and their relationships to each other, but is quick to get back to the action. There are plenty of twists and surprises along the way as well, meaning the book never feels predictable.

While I am on the subject of twists and surprises, there is just one near the end that I didn’t like. It was a real “wait, what? Really?” moment. The good news is, it didn’t even put a dent in my overall enjoyment of the book. Neither did the very ending, which was very abrupt. I got to the last sentence and felt like there would be more, but there I was at the end. It threw me for a second.

I said it at the top of this review and I’ll repeat it here: this book is a blast. I didn’t want to put it down, even when I knew I had to get some sleep because I had to wake up early for work. Be sure to pick this one up when it comes out.

FROM ZAHRA HUSEIN:

A quest, cool space stuff, and a quirky FMC.

From Star Wars to Star Trek, space is truly one of the coolest unknowns. While The Stardust Grail by Yume Kitasei is one of the few original space books I’ve read, I love a compelling story in any genre and this is very much that - a compelling story. It reads like a love letter to space travel by creating a unique world with adventurers going forth into the unknown.

“People were willing to hurl themselves into the dark, chasing the desire to be somewhere else.”

This tale is told from the first person perspective of our FMC (Female Main Character) Maya. Maya is a thief turned student. But when a book that catalogs the adventures of the last known explorer to go after an important artifact shows up at her school archives, Maya's ready to take back her former role. This story isn’t about your average space quest. This is a heist involving a ragtag gang of adventurers.

Maya is the perfect character for the progressive Gen Z folks - her priorities include actively fighting xenophobia, rebelling against colonization, and returning artifacts to their origins. However, Maya has a strong moral compass and a weak sense of self preservation which can put her in sticky situations. Auncle is our token alien (a Frenro). Frenros are one of the oldest species, but at some point in time they lost the ability to reproduce and they're worried about becoming extinct. Auncle also happens to be Maya’s closest friend and confidant because they were a duo team of thieves. Wil is the “muscle”. She is stuck in a CNE (Coalition of the Nations of Earth) combat suit due to sustained injuries from a battle but she has left the CNE and taken the suit with her. She's somewhat morally gray as she’s driven by the money offered and this causes tension between her and Maya (who can be morally good to a fault). Med IX is a medical robot who has been jailbroken and can now add to and modify their programming. They spend much of their time searching for more emotions to add to their system. Wil is especially loyal to Med IX, they’re a package deal. Lastly, there is Liam who is more of an honorable mention. Liam is Maya's advisor at school. Maya and Liam are both huge anthropology nerds, but he's always been afraid of space travel so he's more of the book smart to her street smart.

Together these characters go on an intergalactic heist and bring the story to life. Their expedition is interwoven with commentary on academia, classism, and racism but it isn’t heavily bogged down by it. Instead those themes make it relatable and just realistic enough that you can understand the emotional drive without being kept from the escapism a good novel provides.

“The Jersey Shore’s all right, though they’re still dredging all the houses that washed out to sea.”

For a sci-fi book, the world building isn’t too heavy either. Kitasei includes statements throughout the book that continue to paint a bigger picture and for the most part it keeps the reader from questioning how different things work or why some things are a particular way. Rather than spending pages on exposition and describing how every little thing looks, the reader is more immersed in the world and is given context clues that provide insight. (But if you need a more thorough explanation of the various species, there’s an appendix for your convenience.) In addition to mentioning different things that indicate rising sea levels on Earth, there are different gender terms used for each of the alien species, and the author utilizes an intriguing concept of "nodes" to explain deep space travel.

“...the idea that we are as strange to the people we study as they are to us”

The varied gender terms were an extremely interesting part of the world building. It makes sense that other species would have different preferred gender terms. Some use “xe” and “xyr”, others use “ey” and “eir”, and one of the species even used the royal “we”. Likewise, Kitasei’s use of “nodes” was ingenious. Nodes allow people to travel over different distances of space almost like a portal. This method keeps the reader from wondering things about distance and time which are often distracting in stories set in space. Sometimes keeping things simple and easily explained is best.

The author seemed to attempt the same approach with keeping technology simple as well, but I fear she missed the mark on that one. With the way phones have progressed in our lifetimes alone, it's fascinating to consider what types of communication devices we'll be using in the future. In the beginning of the book Maya has a "camera ring" which she controlled with her earlobe and it could project who she's communicating with. She later gets a "box" that is also referred to as a "cube" ; it's described as a "cheaper projector you could order if you didn't have a projection ring". A little while later, someone is "chatting with a virtual projection from a box that was much better quality than the cheap recyclable one". There are also times the ring is used to project other things too. Similarly to a cell phone being used to pull up an image, but it was unclear how exactly it works.

It seems rings are akin to an iPhone and cubes are more like a flip phone (and then you could have a cheap one that was like a burner). It took a bit of flipping pages back and forth to come to these conclusions especially because at first the "cube" is referred to as a "box". This follows the same style of world building as the nodes, but unlike the nodes there are various forms of this type of communication and it causes things to be more complicated for no reason. Moreso, there's actually another form of communicative technology as well in the form of "ocular lenses". It's mentioned that there are feeds on these ocular lenses at one point and the characters get a notification on them. One can assume that they’re connected to some sort of network but they aren't used for any other communication - they're used for things like translating and scanning text. The technology didn’t seem to be important to the plot so it was unnecessary to add layers of complexity there.

Maya’s gift also had a layer of nonessential complexity. Her gift is first presented as an unwanted migraine. It's later explained as a vision. Of course both can be true and I almost wish they discussed that. It would've been interesting to consider it a gift and a curse - like she had to endure the pain of a migraine in order to receive the gift of visions. But for all intents and purposes, Maya doesn't seem to like her migraines (even the vision parts) whereas her Frenro friend Auncle seems to think they're a good thing. There are also moments where the gift comes in dreams. They’re referred to as "dreams of another time". My understanding is that the dreams and migraines are both visions but the dreams happen when she's asleep and the migraines happen when she's awake. It didn't seem like Maya considered the dreams good either though so the ability doesn’t feel like a positive thing to anyone except Auncle. It doesn’t help that the power is unveiled slowly and the reader isn’t given much information about it. I wish there was a better way to incorporate and reveal it because it is both fascinating and crucial to the plot. The author even mentions in their note at the end of the book that she has migraines herself and she references a book that is about migraineurs who can experience hallucinations and distortions of space, time, and body image.

Between the characters, the story, and the world, there is a lot to love about Yume Kitasei’s The Stardust Grail. Overall I really enjoyed the book and I would definitely recommend it to those interested in space, heists, and social commentary.

4.5 stars

Four Eyes Review, MOVIE REVIEWS, MOVIES, SUPERHEROES

FOUR EYES REVIEW / The Batman

Welcome back to another “Four Eyes” review. We take this moment to share 2 opinions on a single geek topic.

Below both Justin and Dave will each dive into what they thought about Matt Reeve’s The Batman. Join us for a “Fan”-tastic, gushing with praise, recap.

Let us know your thoughts in the comments or on social media using #foureyesreview

MOVIE: The Batman

STARRING: Robert Pattinson, Zoë Kravits, Paul Dano, Colin Farrell, Jeffrey Wright, Barry Keoghan, Andy Serkis

RELEASE DATE: March 4th, 2022

WHERE TO WATCH (as of March 2022): Theaters (Streaming on HBO Max on April 19th, 2022)

FROM JUSTIN POMERVILLE:

Cue the 60’s Batman theme song, because our favorite caped crusader is back again on the big screen. When The Batman was first announced with Robert Pattison as Bruce Wayne/Batman, I was a little hesitant. It wasn’t Pattison’s acting capabilities, but more or less the direction this film was going to go. As time went on and the more information released, it became clear that Pattison (and director Matt Reeves) had a clear vision of what exactly this Batman story would be and how it would stand out from the rest of the pack. Their story, as well as the overall style and feel, was told in a fantastic way that kept you on the edge of your seat.

The main plot focuses on a young Bruce Wayne who has only been Batman for a few years. That is the biggest difference, and because of that, we got a very different kind of Batman. We get a Batman that was still learning what exactly it means to be the hero Gotham needs. His fighting style, detective work, even his gadgets are still being honed and crafted. His interactions with the rest of the characters is fabulous as he learns to form relationships in order to become that better hero. This is the kind of Batman story where we actually get to watch Batman’s growth. With that growth, we learn how it affects Gotham and lays out the beginning rise of his rogue gallery.

Robert Pattinson as Bruce Wayne in Warner Brother’s 2022 release of The Batman.

Bruce’s relationships with both Selena Kyle (played by Zoë Kravitz) and Jim Gordon (played by Jefferey Wright) were meticulously put together. They all intertwine with each other flawlessly and it never felt forced to move the film forward. We got to see the beginning romance between Bruce and Selena as well as the trust and friendship (which is what I would call it) between Bruce and Jim as they work the murder case. Everyone’s role played out great and left me wanting to see the next step in their evolution.

Everyone’s performance was top-notch, but a couple really stood out. Paul Dano’s portrayal of The Riddler was maybe my favorite because they took such a weird villain in the comic whose whole bit is elaborate traps that can be solved by riddles, and they made him dangerous, smart and gave his whole character a fresh direction. He became visually terrifying in his mask, giving him a Zodiac killer vibe, but with the intelligence that is just as scary. The Riddler has been that character in the comics that in recent years has been taken more seriously, but this representation took it to a new level.

Jim Gordon (played by Jeffrey Wright) and Batman (played by Robert Pattinson) in The Batman.

The overall feel of this film is thrilling, Gotham felt claustrophobic and gave you a real sense of how dangerous the place is. The soundtrack is just insane and fits with the tone. Reeves littered this movie with Easter eggs and Batman lore that could make this a solid franchise going froward (if he so chooses to go in that direction). This wasn’t just a superhero movie. This was a thriller detective film that just so happened to involve Batman. That is something we don’t see very often. You can’t really compare it to the others,. If I had to choose, this may have become my new favorite Batman film.

FROM DAVE CLARK:

For as long as I can remember, my two favorite comic book properties have been the X-Men and Batman. I remember my excitement to see Tim Burton’s Batman in 1989. I would have to wait for the VHS but I was still very excited to see this larger-than-life hero played out in movie form. For me it wasn’t about world building or easter eggs. It was about seeing my favorite superhero take it to his most feared enemy on the big screen. It would then lead to the greatest animated series in the history of Batman cartoons. It would define comic book movies for a very long time and we’d set the scale as to who would portray Batman, The Joker, Alfred, Gordon, and so on. They’d be rated alongside the cast of the original film and even Adam West’s Batman. Here we are. We are in the twenty-first century and I’m getting the seventh actor to portray Batman/Bruce Wayne in live action form.

Robert Pattinson as The Batman.

I was extremely apprehensive when they announced the casting and idea behind this film so soon after Ben Affleck’s portrayal in Justice League. It started when Matt Reeves joined as Writer and Director after Affleck dropped from being the Director. Then Affleck dropped out altogether, opening the door for Robert Pattinson. Pattinson was a man I thought as horrible at acting based solely off the Twilight films alone. For the record, I was wrong and the actors are not to blame fully for those films being so bad. So many of them would go on to have amazing careers, including Pattinson. Recently, I loved him in Christopher Nolan’s Tenet. Pattinson taking over the cape and cowl for this potential new take of the story gave me confidence in the capable creative hands of Matt Reeves.

This film is now not only my favorite Batman film, but it may also very well be one of my all-time favorite films ever. It establishes our Batman as a great detective, though not the greatest, not yet at least. He’s still not the polished Dark Knight as it is only his third year on the job. However, right from the title screen, we’re getting a Batman film with narration. We’re treated with an inner monologue from Batman explaining his thoughts and observations, which in turn end up being the vocalization of his ritual of writing in a journal during this Gotham Experiment he calls being the Batman. While there has been Batman narrating before, this felt different. It felt stronger and a more intimate look into the mind of Batman. Without getting too long winded, the portrayal of every character in this film was done with respect and knowledge of the source material.

Robert Pattinson as The Batman.

The music throughout set the tone and was perfectly fit for a Gotham that no person would choose to live in unless they had no other choice. Each character had their own theme and they worked well to establish the tone of their character in the scene. The music and sound production was stellar. You felt every punch, every footfall from Batman as he emerged from the darkness. You felt the car chase with every crash and explosion.

I really could gush about this movie for thousands of words but I’m going to cut myself short and direct you to our podcast we’ll be releasing this week (link to come) with our more detailed review of The Batman. This was a strong Batman movie, and best of all - it’s simply just a great movie overall. It’s a crime thriller about a desperate chase of a maniacal serial killer who has a political agenda to expose the city’s corruption at its core. The inspiration for this film from Zodiac, Seven, and Chinatown can be noticed even after the credits have rolled. It’s safe to say, we’re in good hands for the future of Batman and his Rogues Gallery and perhaps his extended Bat-family. The future is bright in a dark dank Gotham.

Four Eyes Review, REVIEW, TELEVISION, STAR WARS

FOUR EYES REVIEW / The Book of Boba Fett - Season 1

Welcome back to another “Four Eyes” review. We take this moment to share 2 opinions on a single geek topic.

Below both Justin and Jenny will each dive into what they thought about Season 1 of The Book of Boba Fett. Join us for an interesting recap.

Let us know your thoughts in the comments or on social media using #foureyesreview


SHOW: The Book of Boba Fett

STARRING: Temuera Morrison, Ming-Na Wen, Jennifer Beals, Sophie Thatcher, Timothy Olyphant, Pedro Pascal, Amy Sedaris

RELEASE DATE: December 29th, 2021

WHERE TO WATCH: Disney+


FROM JUSTIN POMERVILLE (2 Broke Geeks):

So we have come to a close on the first season of The Book of Boba Fett and this series has been polarizing among Star Wars fans. I am in the camp that the series was not very good. I believe the pacing was off and the writing was a mess. I think if given more time and some tweaks, this series could have been even better than The Mandalorian series that came before it.

Personally, I believe that Boba Fett is an overhyped character in Star Wars. He was just the bounty hunter that got shot by a blind Han Solo and fell into the Sarlacc. That was it. Granted, I do acknowledge that he has an elaborate backstory outside of the films, but I have never read any of those and never ventured out to look into them. However, when Boba Fett showed up in The Mandalorian and actually did stuff, I started to get more invested and excited for The Book of Boba Fett.

Boba Fett (Temura Morrison) in Lucasfilm's THE BOOK OF BOBA FETT, exclusively on Disney+. © 2021 Lucasfilm Ltd. & ™. All Rights Reserved.

Where did it go wrong for me? The series was lackluster. The first four episodes are split between two stories. One story being Boba’s past, starting from when he escaped the Sarlacc. The other is present-day where Boba has taken over Jabba’s palace and is working to control the criminal underworld on Tatooine. That was the first problem for me. Throughout those episodes, it felt like they focused more on Boba’s past versus the current timeline. They slowly built up to why the past was important, but I was more interested in the current story. I felt like they didn’t have much invested in the current storyline, so forced to heavily lean into how Boba came back, met Fennec Shand, and got his stuff back.

(L-R): Temura Morrison is Boba Fett and Ming-Na Wen is Fennec Shand in Lucasfilm's THE BOOK OF BOBA FETT, exclusively on Disney+. © 2021 Lucasfilm Ltd. & ™. All Rights Reserved.

Honestly, the next two episodes became the most interesting thing about the show, when we visit the Mandalorian (aka Din Djarin). We follow Mando as he’s missing Grogu, learns to control the dark saber, and is then forced out of the order because he took his helmet off. There wasn’t any jumping of past and present timelines, just a simple story of Din wanting to see Grogu again before he goes to help Boba battle the Pykes for their spice trading.

The finale of this show is also very spiritless as they spend even more time reviewing how they got to their current situation. They have a gunfight, and win the whole thing, forcing the Pykes off-world. They needed more time for this series to make it feel like a big deal. They reintroduced a bounty hunter from the Clone Wars series, and he has one fight scene and then dies by Boba’s hand. Not only that, Boba’s whole character arc just felt wasted. He begins the series with wanting to rule the criminal underworld to keep Tatooine safe, becoming a protector of the people. Being in power for what feels like just a couple of days, he hints that maybe this life was not made for him. He might move back into the life of a bounty hunter because he was told that killing is what he is good for.

Overall, this show just felt very boring and served more as a side story in the big Star Wars universe. It wanted to be the next phase of Boba’s life, but instead fell flat on its face. The episodes involving Din having the only real growth. The unrelated win was by making people excited for the next season of The Mandalorian. I’m sure they will be making a second season, but I don’t foresee it being something Disney will be focusing on, especially with all the other series they have coming down the line. If I had to rate this series on a letter grade, I would give it a C.

FROM JENNY ROBINSON:

Despite the harsh criticism of this show, I actually enjoyed it. I would give it a solid B in the grading system. Now, don’t get me wrong, there are a lot of questionable decisions. For some reason, they didn’t bother me as much as they did others. I do wish they would have done it as either a movie or released all episodes at the same time. The weekly release I feel is the main reason it did not connect well with the audience. There were slow character builds that then forced the audience to wait. It slowed the pace down dramatically and may be the reason why some of the audience lost focus. Those first episodes as we follow Boba Fett into power in the current storyline while also recapping where he has been since Return of the Jedi in the flashbacks was a cool take to expand his personality but also plays out pretty slow.

I have always thought Boba Fett was rad. Despite not having many lines and very few scenes in the original movies, you have to admire anyone that Vader also respects. Boba Fett turns heads when he walks into a room, for sure. Those initial episodes this season develops a character that has empathy for those around him. While captive, he offers to help the other capitative. Instead of wreaking havoc on the Tuscans, he chose to learn from them. When a bully shows up, he goes to battle to bring them down. Those flash backs finally gave him a legit character with a moral compass, and I dug it.

Boba Fett (Temura Morrison) in Lucasfilm's THE BOOK OF BOBA FETT, exclusively on Disney+. © 2021 Lucasfilm Ltd. & ™. All Rights Reserved.

The failure I find in the series was it didn’t know what it wanted to be and tried hard to expand a short story into an extended tale. I loved the idea of Tatooine being ran by crime syndicates. I thought the “old west” take was super cool (especially inspiring the duels with Cad Bane). The show could have wrapped up the flashback/Tuscan Raider thread in half an episode. The final battle could also have been completed in fifteen minutes. I was invested though, so I can deal with the drawn out plot despite going against my “less is best” mantra.

I understand that they needed the Mandalorian in order to persuade Cobb Vanth to join with Boba Fett and Fennec. I was extremely excited (those who know me know why) to see Cobb Vanth’s return. His parts in this series steal the show (in my honest opinion). The showdown between Cad Bane and Cobb Vanth was one of the highlight for me. The Tatooine desert backdrop, assumingely inspired by all those classic Hollywood westerns, sets a great atmosphere. Add in physical expressions of the two gunslingers, you knew you were watching forces to be reckoned with.

Cad Bane in The Book of Boba Fett

I smiled through the entire finale as well. Some of the smiles may have been due to some incredibly ridiculous parts (what was up with biker dude’s spin shot?!?!). I REALLY smiled when Boba Fett came riding in on a freaking Rancor though! Those are the moments in movies/shows that I am a sucker for. So much fun (even though they used the same frame twice)!!! The fight could have been half the time as it was since the shooting became a bit repetitive but again, I still smiled.
AND… the after credits!!!!!!!!!! Sign me up and count me in!!!!

Four Eyes Review, Nic Gauge

FOUR EYES REVIEW / Pig

Welcome back to another “Four Eyes” review. We take this moment to share 2 opinions on a single geek topic.

Below both Justin and Jenny will each dive into what they thought about Nicolas Cage’s movie Pig. Join us for an interesting recap.

Let us know your thoughts in the comments or on social media using #foureyesreview

MOVIE: Pig

STARRING: Nicolas Cage, Alex Wolff, Adam Arkin

RELEASE DATE: July 16th, 2021

WHERE TO WATCH (as of September 2021): Theaters / VOD Rental on Amazon Prime - slatted for streaming later on Hulu

FROM JUSTIN POMERVILLE:

The last time I talked about Nicolas Cage, it was about how I was not a fan of Willy’s Wonderland and if you are interested in the reasons, please go check out the Four Eyes Review.

This time, I’m here to talk about his latest feature from Neon, Pig.

Directed by Michael Snaroski in what seems to be his first big feature film, Pig is the story of a master chef, Rob (Nicolas Cage), living in the seclusion of the woods with his truffle sniffing pig. One night, men break into Rob’s cabin and take the pig. Rob now must go back into civilization with the reluctant help of Amir, played by Alex Wolff (Hereditary, Jumanji films).

From the trailer, this film felt like it would be an intense action style flick that follows a similar plot like John Wick. On the surface, that is sort of true but his film is so much deeper and meaningful than that. Throughout the hour and a half runtime, you are taken on an emotional journey where Cage hones in on his more serious acting techniques. There is no over-the-top theatrics or crazy Nic Cage moments that people gif into oblivion. 

This is just a story about loss and holding onto the things we love before they're gone. Learning to be happy with yourself and with what you do. Knowing that you are living to your full potential without sacrificing to make everyone else happy. 

This film is an emotional journey and I’m not afraid to admit that I cried when it finished. We are so used to Cage being attached to so many insane films over the years, that we forget how much of an amazing actor he really is. I hope that down the road, he does more projects like these. I highly recommend you see this film if you can.

Nicolas Cage as Rob in Pig

Nicolas Cage as Rob in Pig

FROM JENNY ROBINSON:

I can safely say that amongst friends, everyone knows I am not the biggest Nick Cage fan. Don’t get me wrong, I think he’s a tremendously talented actor but his choice in roles sometimes leaves me less than excited. He seems to thrive in the SUPER strange and eclectic movies (e.g. Color Out of Space, Mandy, Willy’s Wonderland), yet I enjoy the more direct characters (e.g. Raising Arizona or Leaving Las Vegas). I am not sure where Pig lands in those black and white categories. It may need to be placed within those vast shades of grey that fall in-between. 

As you may have guessed, I did not rush out to see Pig. “Why do I need to see John Wick but with Nicolas Cage and a Pig instead of Keanu and a puppy?” is what went through my mind. It takes a lot to motivate me to jump for Cage and after what felt like a million messages telling me I had to watch this, I finally did.

It was way better than I anticipated. The reason is that instead of a violent crime movie the trailers had me believe, it was more just a sad accumulation of a mysterious man’s life and his beloved pig. The violence almost feels out of place in spots where the determination of the character was a better fit throughout. 

Nicolas Cage has some top notch emotional scenes throughout the movie. Some moments had me (as the audience) relating intensely to his despair. It’s a very sad story about rejection and forgiving ones self even if ultimately leading to tragic heartache. The only happy ending this story left me with was similar to ripping the bandaid off giving a potential chance to heal. This applies for all parties involved. 

That being said, this movie was weird but Cage is weird. 

I also feel that Alex Wolff steals the show. His character Amir is dramatically more relatable and empathetic than Cage’s Robin Feld. Following Amir’s struggle for respect (in his fathers eyes) brought such a secondary layer to the movie. Adam Arkin’s portrayal of Amir’s father Darius also just doubles down on the emotional and unexpected reaction of what deceptively appears to be cookie-cutter characters yet are much more complex. 

So in summary, I give this a thumbs up. It’s not your average Nicolas Cage film. It’s emotional and way more than just about a pig.

Rob played by Nicolas Cage and Amir played by Alex Wolff

Rob played by Nicolas Cage and Amir played by Alex Wolff

Four Eyes Review, Nic Gauge, HORROR, MOVIES

FOUR EYES REVIEW / Willy's Wonderland

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Welcome back to another “Four Eyes” review. We take this moment to share 2 opinions on a single geek topic.

Below both Allan and Justin will each dive into what they thought about Nicolas Cage’s movie Willy’s Wonderland. Join us for a LOVE/HATE recap. Let us know your thoughts in the comments or on social media using #foureyesreview

MOVIE: Willy’s Wonderland

STARRING: Nicolas Cage, Emily Tosta, Beth Grant

RELEASE DATE: February 12th, 2021

WHERE TO WATCH (as of July 2021): Hulu

FROM ALLAN DAVID:

Plot: An out-of-towner’s (Nicolas Cage) car runs over police road spikes. He is stuck in an old country town. To pay for the repairs, all he must do is spend the night cleaning up Willy’s Wonderland (a Chuck E Cheese/Five Nights at Freddy’s type of restaurant). The kids in this town sure know how to have a party. Oh, don’t worry, , that’s not blood on the walls that’s fruit punch.


My Thoughts: Nicolas Cage delivers an Oscar worthy performance as The Janitor. In one of his best roles since Raising Arizona, Nick (that’s what his friends call him) gives depth and complexity to the Janitor. He doesn’t utter a word throughout the entire movie. Which is fine by me.  The Janitor faces off against killer robots. No not the Terminator kind, but the soft fluffy kind. The kind you want to have at your kid’s party. Oh wait…

This movie has a little of everything. Angry townsfolk, blood, robots, superb acting by said robots, and lots of laughs, blood, and pinball. Lots and lots of pinball.

Should you watch it? Hell yes!!! Get off your computer right now and watch Willy’s Wonderland!!! 

FROM JUSTIN POMERVILLE:

I first need to preface that I am a huge Nicolas Cage fan. Cage has this uncanny ability to resurrect his career no matter what. With this ability, he has turned out such amazing and interesting films like Mom and Dad, Mandy, and Color Out Of Space. However, he also has been the butt of a lot of jokes because of the volume of films he has made that have been less than stellar. One such film is Willy’s Wonderland.

Willy’s Wonderland had a simple idea: What if Nicolas Cage was in Five Nights At Freddy's? Cage is the silent protagonist who’s vehicle is disabled outside of a tiny town. He is tasked to clean a run-down “Chuck E. Cheese” style joint called “Willy’s Wonderland”. But, what he doesn’t know is that he is locked in overnight with possessed murderous animatronics.

It’s a creative idea for sure but fails to be entertaining. I don’t mind if your main character is a silent, mysterious type. As someone who is viewing this film, usually by the end of the film we would have learned something about our hero. We learn nothing. He spends the whole movie cleaning, playing pinball, drinking a soda every hour, and killing animatronics. The only interesting element to his personality is that killing is nothing to him. He’s not even surprised that there are giant robotic murder machines. They are a minor inconvenience to him, at best.

Between the shaky camera fights, the illogical character choices and confusing dialogue, this movie is definitely not the worst in Cage’s repertoire. Would I watch it again? No way. However, for those of you who do enjoy it (Allan), I’m glad you do. And I have some amazing news for you, Aftershock Comics is making a prequel comic series this fall. Now you have something to look forward to (and hopefully finally some backstory on The Janitor).